Meyer Sound MJF-210

Give artists what they want: free movement and incredible clarity.

 
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Experience MJF-210: Low-Profile High-Powered Stage Monitors

Ultra-low distortion gives vocals and instruments stunning accuracy, with low distortion and no signal coloration at high output levels and at low frequencies.

Even vertical and horizontal coverage allows the performer to move freely while remaining in the sweet spot.

The MJF series boasts flat amplitude and phase responses, full-range bandwidth, and exceptional impulse response, along with Meyer Sound’s own Intelligent AC system for automatic voltage selection, EMI filtering, soft current turn-on, and surge suppression.

Brand: Meyer Sound
Product Description:
MJF-210
Category: High-Powered Stage Monitor, Professional Speaker
Available Stock:
12 Units
Price:
Attractive daily hire rates or long-term rental options

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MJF-210 Product Info & Key Features

  • Self-powered system guarantees simplified setup and operation

  • Small lightweight footprint with no external amplification occupies less truck space

  • Low profile cabinet preserves onstage sight lines

  • Wide vertical coverage permits the freedom to move upstage and downstage

  • High peak power ensures excellent transient response

  • Flat frequency and phase responses yield high gain before feedback

Call 1300 814 568 or email events@cmgav.com.au

Meyer Sound MJF-210 Specifications

ACOUSTICAL

  • Operating Frequency Range: 55 Hz – 18 kHz

  • Frequency Response: 60 Hz – 16 kHz ±4 dB

  • Phase Response: 200 Hz – 16 kHz ±45 degrees

  • Linear Peak SPL: 134 dB with crest factor >17 dB (M-noise), 132.5 dB (Pink noise), 132.5 dB (B‐noise)

COVERAGE

  • Horizontal Coverage: 50°

  • Vertical Coverage: 70°

TRANSDUCERS

  • Low Frequency: Two high-power 10-inch cone drivers

  • High Frequency: One 4-inch diaphragm compression driver

AUDIO INPUT

  • Type: Differential, electronically balanced

  • Maximum Common Mode Range: ±5 V DC

  • Connectors: XLR 3‐pin female input with male loop output; optional XLR 5‐pin connector to accommodate both balanced audio and RMS signals

  • Input Impedance: 10 kΩ differential between pins 2 and 3

  • Wiring:

    • Pin 1: Chassis/earth through 1 kΩ, 1000 pF, 15 V clamped network to provide virtual ground lift at audio frequencies

    • Pin 2: Signal +

    • Pin 3: Signal ‐

    • Pin 4: RMS (polarity insensitive)

    • Pin 5: RMS (polarity insensitive)

    • Case: Earth ground and chassis

  • Nominal Input Sensitivity: 0 dBV (1.0 V rms) continuous is typically the onset of limiting for noise and music

  • Input Level: Audio source must be capable of producing of +20 dBV (10 V rms) into 600 Ω to produce the maximum peak SPL over the operating bandwidth of the loudspeaker

AMPLIFIERS

  • Type: 3-channel, class D

  • Total output power: 1950 W peak

  • THD/IM/TIM: < 0.02%

  • Cooling: Convection

AC POWER

  • Connector: powerCON 20 with loop output

  • Automatic Voltage Selection: 90–265 V AC

  • Safety Rated Volted Range: 100–240 V AC, 50–60 Hz

  • Turn-on and Turn-off Points: 90 V AC turn‐on, no turn‐off; internal fuse‐protection above 265 V AC

CURRENT DRAW:

  • Idle Current: 0.26 A rms (115 V AC); 0.25 A rms (230 V AC); 0.28 A rms (100 V AC)

  • Max Long‐Term Continuous Current (>10 sec): 1.8 A rms (115 V AC); 1.1 A rms (230 V AC); 2.6 A rms (100 V AC)

  • Burst Current (<1 sec): 3.5 A rms (115 V AC), 1.8 A rms (230 V AC), 4.2 A rms (100 V AC)

  • Maximum Instantaneous Peak Current: 8.1 A peak (115 V AC), 3.9 A peak (230 V AC), 9.3 A peak (100 V AC)

  • Inrush Current: < 20 A peak

RMS NETWORK

  • Two‐conductor twisted‐pair network that reports all operating parameters of amplifiers to system operator’s host computer

PHYSICAL

  • Dimensions: 23.18 inches wide x 13.89 inches high x 20.90 inches deep (589 mm x 353 mm x 531 mm)

  • Weight: 67 lbs (30.4 kg)

  • Enclosure: Premium multi‐ply birch with slightly textured black finish; 35° front angle

  • Protective Grille: Powder‐coated, hex‐stamped steel with black mesh

MANUFACTURER NOTES

  1. Loudspeaker system predictions for coverage and SPL are available in Meyer Sound’s MAPP System Design Tool.

  2. Recommended maximum operating frequency range. Response depends on loading conditions and room acoustics.

  3. Measured 1 m on axis with typical boundary loading.

  4. Linear Peak SPL is measured 1 m on axis with typical boundary loading. Loudspeaker SPL compression measured with M‐noise at the onset of limiting, 2‐hour duration, and 50 °C ambient temperature is < 2 dB.

    M-noise is a full bandwidth (10 Hz–22.5 kHz) test signal developed by Meyer Sound to better measure the loudspeaker’s music performance. It has a constant instantaneous peak level in octave bands, a crest factor that increases with frequency, and a full bandwidth Peak to RMS ratio of 18 dB. The presence of a greater‐than (>) symbol with regard to crest factor indicates it may be higher depending on EQ and boundary loading.

    Pink noise is a full bandwidth test signal with Peak to RMS ratio of 12.5 dB.
    B-noise is a Meyer Sound test signal used to ensure measurements reflect system behavior when reproducing the most common input spectrum,

    and to verify there is still headroom over pink noise.

  5. Pins 4 and 5 (RMS) only included with XLR 5‐pin connector that accommodates both balanced audio and RMS signals.

  6. Peak power based on the maximum unclipped peak voltage the amplifier will produce into the nominal load impedance.

  7. AC power cabling must be of sufficient gauge so that under burst current rms conditions, cable transmission losses do not cause the loudspeaker’s voltage to drop below the specified operating range.

 

IMPORTANT: CMG strive to provide the most accurate and complete equipment description and item specifications, including weight, rigging, power requirements and recommended use. All product information has been sourced from the original equipment manufacturer (or Australian distributor) and is based on the manufacturers standard specifications. Actual specifications for this equipment may differ. It is highly recommended that all equipment details are confirmed with our team PRIOR TO USE as the supplier, as the latter (CMG Audio Visual Pty Ltd) cannot be held accountable for any inaccuracies.

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